Barber, James. 2024. "Chronicling New York Reggae and Hip Hop’s Crossroads, and Community Media as Historical Archives from the Ground Up." In: Remixing the Hip-Hop Narrative: Between Local Origins and Global Margins, edited by James Barber, Christian Büschges, Dianne Violeta Mausfeld, and Britta Sweers, 289–322. Bielefeld: transcript.
Mausfeld, Dianne Violeta. 2024. “’Double the Struggle’: Latino/Chicano Hip-Hop in The Source Magazine.” Remixing the Hip-Hop Narrative: Between Local Origins and Global Margins, edited by James Barber, Christian Büschges, Dianne Violeta Mausfeld, and Britta Sweers, 105–132. Bielefeld: transcript.
Barber, James. 2024. “Shinehead’s ‘Jamaican in New York’: The Circularity of Jamaican and African American Cultural Practice and Reggae’s Resonance in Hip Hop from The Bronx to Brooklyn and Beyond.” In From Broadway to The Bronx: New York City’s History through Song, edited by Veronika Keller and Sabrina Mittermeier, 126–139. Bristol: Intellect.
Mausfeld, Dianne Violeta. 2022. “’American Made with a Mexican Flow!’ Chicano Hip-Hop in Los Angeles, 1987–2001.” Berner Historische Mitteilungen 39: 10–11.
Mausfeld, Dianne Violeta. 2021. “’Brown and Proud!‘ Die Ästhetik von Chicano Rap im Südwesten der USA.“ In Yearbook ‘Song and Popular Culture’ of the Center for Popular Culture and Music, Vol. 66 (2021), edited by Julius Greve and Knut Holtsträter (Special Issue ‘Musical Regions and Regionalisms in the USA’), 89–106. Münster/New York: Waxmann Verlag.
Mausfeld, Dianne Violeta. 2021. “A Matter of Style Appropriation.” Norient. The Now In Sound, February 22.
Mausfeld, Dianne Violeta. 2019. “’These Stories have to be told’: Chicano Rap as Historical Source.” Popular Music History 12 (2): 174–193.
